Amoeba Music

Not to downplay this movie, because it’s wonderful, but the prime reason to see it is Werner Herzog, who, if you didn’t already know, is absolutely hilarious. Reason number two is that this is the only American film that is classified as a Dogma film under the Dogme 95 criteria. Whether you think the movement is a pretentious load of bull or not is irrelevant. The requirements, while altered I’m sure, are a welcome change in terms of the crystal-clear hoopla thrills that we’re used to. This film employs an array of interesting techniques and improvisational performances that should not be missed.

The story follows a schizophrenic young-adult named Julien (Ewen Bremner), and his dysfunctional family. His brother Chris (Evan Neumann) is a high-school wrestler who aims to please their domineering father; his sister Pearl (Chloë Sevigny) is mousy individual who is pregnant with Julien’s child; and their father is an impatient bully who you find yourself siding with anyways. Oh, and there’s grandma (Joyce Korine), but she’s kind of like a prop. The entire movie is shot with grainy film stock (possibly 16mm), and is presented in a way that resembles a crazy reality TV show. Julien can be seen hanging out with his handicapped friends, mumbling to himself or others on the street, cross-dressing around the house, etc. The most memorable and heart-breaking of his activities are his phone calls to his deceased mother. He sits in one room, while his sister is in another, and they have conversations over the telephone where she pretends to be their mother. Obviously this is not good for his condition, but it also is one of the few moments that allows you to understand that he has good intentions and is simply lonely.

John Hodge’s brilliant screenplay, based on the cult novel by the same name written by Irvine Welsh, is the story of a group of young friends, drug addicts, and overall petty criminals from Edinburgh who play hard and fast. The plot is a maturation story about one of these needle lovers, "Renton” (McGregor), who begins to realize that his life could be so much more in normalcy.

The screenplay does a wonderful job of capturing the lifestyle, while not passing judgment on it. Through Renton’s colorful self-actualizing voiceover, we’re given the chance to look into the bare souls of the wild, wayward and lost.