Code Unknown
Few directors choose to take risks within cinema, and when they do, they reveal ideas in the most intriguing and significant ways. Michael Haneke, in his film Code Unknown, definitely gives his viewers something to take home, long after they’ve watched it. Like a string of Venn-diagrams, the film is a series of segments loosely tied by the intersection of characters in Paris, France, and the subtext goes far beyond just that. The scenes allude to the missed communication within a society blinded by tension caused by differences in race, age, class, and backgrounds in a disheveled European nation. Here is the rare portrayal of Paris as an intellectual discourse, and while less violent compared to Funny Games or Caché, the film is still pointedly bold, high-minded, and socially aware.
What does “code unknown” really mean? We find out a glimpse of this answer in the beginning scene, set in a school of deaf children. A girl is acting out a scene in front of her classmates. They guess what she is attempting to convey: “Alone?” “Hiding in place?” She shakes her head at each conjecture. The simplicity combined with mystery of this scene is an appropriate overture for the rest of the film.
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