Washed Out, the Atlanta-based producer/songwriter/multi-instrumentalist Ernest Greene, delivers his most accessible creation to date with his fourth album, Purple Noon . With each release, Greene has approached his evolving project with meticulous detail and a steadfast vision. Greene wrote, recorded, and produced Purple Noon following a brief stint of writing for other artists (most notably Sudan Archives). His time writing for others enabled Greene to explore genres like R&B and modern pop. These brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Greene. The vocals are front and center, tempos are slower, beats bolder…you can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the Balearic beat classics. Mediterranean coastlines inspired Purple Noon , and Greene pays tribute to the region’s distinct island culture using it as a backdrop to tell stories of passion, love, and loss. Purple Noon ’s title comes from the 1960 film based on the novel The Talented Mister Ripley by Patricia Highsmith, and much like romantic Hollywood epics, the melodrama throughout this album is strong. Purple Noon adds a layer of emotional intensity to the escapism of Washed Out’s oeuvre, taking the music to dazzling new heights.
Bully’s third album sees frontwoman Alicia Bognanno reinventing her process with a newfound clarity of purpose, and, as a result, the sound immediately takes flight like My Bloody Valentine after three double espressos. A highly-accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno frees herself of those duties to focus on the writing, and partners with the Grammy-winning John Congleton (St. Vincent, Sleater-Kinney, The War on Drugs, Modest Mouse, and more) at the famed Pachyderm Studios in Cannon Falls, Minnesota. An additional five months of writing and recording following that session completed Sugaregg , Bognanno’s most accomplished album to date.
In October of 2019, Metallica and The San Francisco Symphony teamed up once again, 20 years after the two legendary and seemingly dichotomous entities first collaborated on an epic set of concerts billed as Symphony and Metallica (S&M). S&M2 features 20 songs (that’s more than 2.5 hours of music) from the two-night event that blew the doors off of San Francisco’s Chase Center. There are many Metallica fan favorites here and two unique classical pieces chosen by San Francisco Symphony Musical Director Michael Tilson Thomas. S&M2 has been newly re-edited by the band with remixed and remastered audio.
Erasure reunites for the momentous occasion of their 18th studio album, The Neon , which follows 2017’s World Be Gone . Like the glowing hot substance of the title, the music evokes an exciting and energetic mood. The Neon is a place that lives in the imagination. It’s a place of possibility bathed in warm light and this is music that takes you there. Vince and Andy pull inspiration from pop music through the decades, from bands they loved and want to share with a new generation. The Neon connects us to our pasts and our futures as it glistens with hope.
