Amoeba Music

Judy Garland, in my book, has always been one interesting persona to watch on screen. Her eyes glitter when she sings, she is always bathed in some wonderful soft light, and somehow the camera is always doing the best dolly moves when she’s on screen. She’s also a separate entity from the real world, so it seems. Her films, just as fascinating to me as Busby Berkeley musicals, are no less from the escapist realm. It’s amazing that 1945 marked the end of World War II, and, well, also produced the completely irrelevant musical, Meet Me In St. Louis. Meet Me in St. Louis is directed by Vincente Minnelli, who married Garland after working with her on set. The story is set in St. Louis, Missouri, in the year before the 1904 World Fair. The middle-class Smith family leads a comfortable and happy life. The four daughters are equally charming in their own separate ways. There’s Rose, Esther (Garland), Agnes, and the youngest, Tootie (Margaret O’Brien). The family anxiously awaits the World’s Fair in their hometown, yet the father breaks the news that they must move to New York City to find a job. The story follows the family’s devastation in the end of summer through their lessons of life, love, and family well into the Christmas holidays, where they make the decision that breaks or makes their bond as a family.

The film features some tunes and dance-numbers, just as pie in the sky as the daughters’ names, including “Have Yourself a Merry Little Christmas,” “The Boy Next Door,” and “Under the Bamboo Tree."

As the usual Garland film promises, was there glitter in her eyes? Yes. Soft lights glowing on her beautiful face? You got it. And those slow, gorgeous dolly moves when she’s on camera? Most definitely. Be heart-warmed and place yourself in the shoes of one ready to walk into the 1904 St. Louis World Fair.

__________________________ Meet Me In St. Louis was nominated for four Oscars:  Best Cinematography, Best Original Song, Best Score, and Best Original Screenplay.